Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus brass, that allows your band to stand out, while the brass get to take a well-deserved break!Program…
Style:
Concert Band
Composer:
Andrew Blair
Publisher:
C. Alan Publications
What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune attempts to answer the question by faithfully and stunningly recreating the work for today’s wind…
Style:
Concert Band
Composer:
Andrew Blair
Publisher:
C. Alan Publications
Robert Ambrose beautifully transcribed Max Schonherr's arrangement of Joseph Hellmesberger Jr. arrangement of Gypsy Dance from the ballet The Pearl of Iberia. This is an exciting, fast moving work, with a melody, that musicians and listeners will enjoy and…
Style:
Concert Band
Composer:
Hellmesberger, Robert Ambrose
Publisher:
C. Alan Publications
(I Will Keep Quiet)
Extracted from Renaissance composer Gesualdo’s Fourth Book of Madrigals, Io Tacerò was originally scored for five voices. Ambrose has done a masterful job of adapting the surprisingly chromatic choral work for the modern wind ensemble,…
Style:
Concert Band
Composer:
Gesualdo, Robert Ambrose
Publisher:
C. Alan Publications
Originally composed for full orchestra and inspired by heavy metal music, Metalfare is a 1-1/2 minute is a burst of energy from start to finish, featuring the brilliance of the brass and lyricism of the woodwinds.Program NotesMetalfare for Symphony Orchestra…
Style:
Concert Band
Composer:
Robert Ambrose
Publisher:
C. Alan Publications
A bright and lively overture with all the elements that will make a successful performance. Interesting writing for all sections, a melodic middle for stylistic contrast and solo breaks for percussion all contribute to over-all appeal.
Grade Level: 3…
Style:
Concert Band
Composer:
Brian Ridley
Publisher:
C. Alan Publications