Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Collapse is a challenging, programmatic work for marimba inspired by a dark, heartbreaking play titled "Marybeth."Program Notes<b.Collapse is based on a play entitled Marybeth by Hayley Pugh, set in Colonial America. The play follows the story of a young…
Style:
Solo Works
Composer:
Alex Howley
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Gray is a challenging rondo that grew organically out of an improvisation session. It is designed to reflect the feelings of unsurety that accompany the "gray areas" in life, and can be an emotionally satisfying piece to perform.Program NotesGray is a piece…
Style:
Solo Works
Composer:
Alex Howley
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications