Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Epoch was conceived in the final quarter of 2020 during the infamous Covid-19 pandemic. It is composed in a three-act structure of denial, desperation, deliverance and shares what the composer feels represent challenging moments like those which were forced…
Style:
Percussion
Composer:
Chad Heiny
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Lion Story is a quartet in four movements for young percussion ensemble. Each movement features a solo part on melody with ostinato accompaniment perfect for a middle school or beginning percussion ensemble.Program NotesWhen my son, Branden, was 5 years old…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Nocturnes, Book 1 (for solo percussion) is a collection of concert works for advanced performers. Written during a challenging time, these solos were both a daily distraction and a voice for the composer's fears, frustrations, and anxieties at that time. Some…
Style:
Solo Works
Composer:
Chad Heiny
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Spiel features the prominent voice of the glockenspiel throughout, and embraces the use of Boomwhackers as part of the percussion ensemble. Intended as a fun and playful piece for the performers, your audience is sure to feel the excitement of the work as…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Scored for percussion quintet with optional offstage percussionist(s), Thundersnow is mysterious, mesmerizing, bold, but also extremely delicate at times: much like the storms themselves.Program NotesIt’s rather ironic that I wrote Thundersnow for a…
Style:
Percussion
Composer:
Chad Heiny
Publisher:
C. Alan Publications
This joyful piece plays like a warm blanket: beautifully simple, yet full and fun, and each phrase goes right where you want it to. No surprises - just straightforward for the performer, and easy on the ear for the listener.Program NotesTiny was written for…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications