Almost a Wink is a jazzy, melodically-driven work for solo vibraphone, giving the performer the opportunity to add his or her personal touch through improvisation. A perfect piece for an undergraduate percussion recital.
Grade Level: 3 Copyright: 2012 Number…
Style:
Solo Works
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Black (W)Hole is an extraterrestrial introduction to the whole tone scale. Instruments weave in and out of different rhythmic layers that create a very “spacious” and eerie feel. Players experiment with alternate uses of their implementations to create a wide…
Style:
Percussion
Composer:
Jordan Williams
Publisher:
C. Alan Publications
Dandy Lions paints the picture of a young cub playing in an open field. Basic ostinatos keep the piece moving forward while a playful melody creates a sense of youth and excitement. Young players are also introduced to ornamentation within the melodic voices…
Style:
Percussion
Composer:
Jordan Williams
Publisher:
C. Alan Publications
Epoch was conceived in the final quarter of 2020 during the infamous Covid-19 pandemic. It is composed in a three-act structure of denial, desperation, deliverance and shares what the composer feels represent challenging moments like those which were forced…
Style:
Percussion
Composer:
Chad Heiny
Publisher:
C. Alan Publications
The Full Meda is all about groove and energy. Time is very important as the source for the energy, so challenge your percussionists to keep it up! Part of The EDGE Series.Program NotesThe Full Meda is all about groove and energy. Time is very important as the…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Nocturnes, Book 1 (for solo percussion) is a collection of concert works for advanced performers. Written during a challenging time, these solos were both a daily distraction and a voice for the composer's fears, frustrations, and anxieties at that time. Some…
Style:
Solo Works
Composer:
Chad Heiny
Publisher:
C. Alan Publications
This is a catchy work for marimba and vibe. The piece starts with a groove vamp from the marimba player. The vibe player comes in with chords that establish the chord structure of the work. Sections for open solos are included. The piece ends with a…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Red Koi was written using the “Minyō” scale found in Japanese music, such as Gagaku and Shomyo. The snare drum/tom part was written to emulate basic Taiko-style drumming. Red Koi represents a great opportunity to introduce new percussionists to this style.…
Style:
Percussion
Composer:
Jordan Williams
Publisher:
C. Alan Publications
Scored for percussion quintet with optional offstage percussionist(s), Thundersnow is mysterious, mesmerizing, bold, but also extremely delicate at times: much like the storms themselves.Program NotesIt’s rather ironic that I wrote Thundersnow for a…
Style:
Percussion
Composer:
Chad Heiny
Publisher:
C. Alan Publications
The four movements of Treespeak, Spring(ing), Summer, Fall(ing), and Winter, are a cycle: a cycle of the seasons, or the “seasons” of a tree’s life span, which even parallels the life span of a human. The voice of the tree is spoken through the vibraphone,…
Style:
Percussion
Composer:
Chad Heiny
Publisher:
C. Alan Publications