Constantly changing complex meters characterize this fascinating composition. The great title is only the beginning of the fun of this terrific concert finale, which won first place in the 1992 PAS Composition Contest.
Grade Level: 4 Copyright: 1994 Number of…
Style:
Percussion
Composer:
Christopher Coleman
Publisher:
C. Alan Publications
Cold Groove is a percussion sextet that does nothing but...well...GROOVE! Each player has a snare drum plus at least one auxiliary instrument to give some textural variety. Filled with tons of visuals, Cold Groove is not only a treat for the ears, but for the…
Style:
Percussion
Composer:
Christopher Fellinger
Publisher:
C. Alan Publications
Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Four identical set-ups make this a fun piece to watch and listen to. Fellinger explores every possible sound one can create through the use of a snare drum, bass drum, and a pair of drum sticks. Each player is required to perform over 20 different techniques…
Style:
Percussion
Composer:
Christopher Fellinger
Publisher:
C. Alan Publications
A majestic intro leads into a syncopated melody in the marimba, supported by the rest of the mallet instruments. Middle section of the piece features everyone on wooden instruments, then on membrane instruments. Perfect for a high school or college ensemble.…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications