Constantly changing complex meters characterize this fascinating composition. The great title is only the beginning of the fun of this terrific concert finale, which won first place in the 1992 PAS Composition Contest.
Grade Level: 4 Copyright: 1994 Number of…
Style:
Percussion
Composer:
Christopher Coleman
Publisher:
C. Alan Publications
Wonderful special effects are created throughout this piece meant to emulate the sounds of Middle Eastern music. Exciting, high-energy piece.Program NotesCommissioned by the North Carolina chapter of the Percussive Arts Society. Wonderful special effects are…
Style:
Percussion
Composer:
Scott Meister
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
In each of his Three Maqamat - Nawa Athar, Nakriz, and Saba Kurd - Meister uses unique techniques in both parts-such as tongue slaps, random key clicks, microtones, and so on to emulate sounds of instruments from other cultures.
Grade Level: 4 Copyright: 1997…
Style:
Percussion
Composer:
Scott Meister
Publisher:
C. Alan Publications
This joyful piece plays like a warm blanket: beautifully simple, yet full and fun, and each phrase goes right where you want it to. No surprises - just straightforward for the performer, and easy on the ear for the listener.Program NotesTiny was written for…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
With the castanets acting as your time keeper, or tapping toe, Tip Toes is a quick, light piece to add to any concert. The construct of the piece gives performers the opportunity to work on listening and balance while keeping the audience engaged with some of…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications