A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
In this challenging duet for marimba and vibraphone, Shen utilizes several special effect and techniques throughout the piece, such as harmonics on the vibraphone and trills on the inner mallets while playing single notes with the outer mallets. Complicated…
Style:
Percussion
Composer:
Hsueh-Yung Shen
Publisher:
C. Alan Publications
Five Movements utilizes changing meters along with quick exchanges between players to showcase the diversity in a percussion ensemble. Also experience the slow second movement which shows off the expressive qualities of the instruments.Program NotesThis is…
Style:
Percussion
Composer:
Hsueh-Yung Shen
Publisher:
C. Alan Publications
A duet that illustrates the contrasting style of concert and rudimental snare drumming techniques. The piece explores various possible tonal sounds on the two snares in order to enhance the melodic interest between the two parts. Polyrhythms play an important…
Style:
Percussion
Composer:
Dan Knipple
Publisher:
C. Alan Publications
Performed separately or as a set, each of these etudes work on every technical aspect associated with each instrument. For example, the first movement, Alternating Strokes for Snare Drum, utilizes every part of the drum using snare drum sticks, hands, and…
Style:
Solo Works
Composer:
Hsueh-Yung Shen
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications