Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Lion Story is a quartet in four movements for young percussion ensemble. Each movement features a solo part on melody with ostinato accompaniment perfect for a middle school or beginning percussion ensemble.Program NotesWhen my son, Branden, was 5 years old…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Shared Spaces is a one-of-a-kind chamber work for two horns and two percussion. Fantastic interplay within the instruments abounds as well as passages where the horns interact then the percussionists follow suit.Program NotesShared Spaces was commissioned by…
Style:
Percussion, Brass
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications