The Chapel Further Down is a keyboard-forward piece inspired by various sites of historic importance throughout the British isles. In many cases, there is a small church or chapel featured secondarily, set off to the side as a seeming afterthought to a castle…
Style:
Percussion
Composer:
Thom Hasenpflug
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Three-movement work for solo marimba with a small multiple percussion set-up, including 2 congas, 2 bongos, 5 temple blocks, and chimes. The interplay between the marimba and percussion instruments emulates the title of the piece by creating a fascinating…
Style:
Solo Works
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Euonymus Alatus (sp. "The Burning Bush") is a perfectly simple, classic, yet complex shrub found in home gardens and nurseries in many parts of the country. This work presents a reflection on the plant; Its classic form, its deceptive, mysterious, and…
Style:
Percussion
Composer:
Thom Hasenpflug
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
This is the ensemble version of Burritt’s popular piece for solo marimba and percussion quartet. It explores the full range of the instrument and of marimba technique. Extremely challenging, but idiomatic writing makes this an impressive piece…
Style:
Percussion
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Shared Spaces is a one-of-a-kind chamber work for two horns and two percussion. Fantastic interplay within the instruments abounds as well as passages where the horns interact then the percussionists follow suit.Program NotesShared Spaces was commissioned by…
Style:
Percussion, Brass
Composer:
Lynn Glassock
Publisher:
C. Alan Publications