Almost a Wink is a jazzy, melodically-driven work for solo vibraphone, giving the performer the opportunity to add his or her personal touch through improvisation. A perfect piece for an undergraduate percussion recital.
Grade Level: 3 Copyright: 2012 Number…
Style:
Solo Works
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
The Full Meda is all about groove and energy. Time is very important as the source for the energy, so challenge your percussionists to keep it up! Part of The EDGE Series.Program NotesThe Full Meda is all about groove and energy. Time is very important as the…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Rather free and abstract introduction leads into several morphing grooves. Lines and accents are passed freely throughout the ensemble at breakneck speeds.
Grade Level: 4 Copyright: 2000 Number of Players: 6 Duration: 8:00 Publisher: C. Alan Publications Type…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This is a catchy work for marimba and vibe. The piece starts with a groove vamp from the marimba player. The vibe player comes in with chords that establish the chord structure of the work. Sections for open solos are included. The piece ends with a…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Shared Spaces is a one-of-a-kind chamber work for two horns and two percussion. Fantastic interplay within the instruments abounds as well as passages where the horns interact then the percussionists follow suit.Program NotesShared Spaces was commissioned by…
Style:
Percussion, Brass
Composer:
Lynn Glassock
Publisher:
C. Alan Publications