Written for younger bands, this dark and original march keeps technical challenges within the grasp of a second or third year performer. Although not in a completely traditional form, 7 Hills March has enough repetition to make it accessible to young…
Style:
Concert Band
Composer:
Ed Kiefer
Publisher:
C. Alan Publications
Inspired by the multitude of great melodies written by English master composers such as Purcell, Elgar, Walton, Vaughn Williams, and Britten, Adagio for Winds and Percussion is a moving, powerful work that shows David Gillingham at his very best.Program…
Style:
Concert Band
Composer:
David R. Gillingham
Publisher:
C. Alan Publications
Set primarily in a march-like style with a more lyrical song-like interlude, McIvor's brass quintet arrangement of Adeste Fidelis has been adapted for flexible 5-part wind band with optional percussion.Program NotesSet primarily in a march-like style with a…
Style:
Flex Band
Composer:
Christian McIvor
Publisher:
C. Alan Publications
A great show starter or to lift the vibe after a ballad, All the Goss is a spirited, fun chart with elements of gospel, rock and jazz. A strong, positive introduction sets the tone, followed by a unison trombone melody which is then shared around the sections…
Style:
Jazz Ensemble
Composer:
Lachlan Davidson
Publisher:
Brolga Music
Celebrating the rhythmic drive, intensity and fun of fiddle music, American Fiddle Fanfare a great concert opener or festival choice with each section getting a piece of the action. Inspired by the bow technique and foot-stomping of a barn dance, this…
Style:
String
Composer:
Gary Gackstatter
Publisher:
C. Alan Publications
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus brass, that allows your band to stand out, while the brass get to take a well-deserved break!Program…
Style:
Concert Band
Composer:
Andrew Blair
Publisher:
C. Alan Publications
Appalachian Counterpoint is a work for tuba-euphonium quartet based on the traditional Appalachian folk song “All the Pretty Little Horses,” a lovely lilting lullaby. There is, however, very little feeling of “lullaby” in this work as it is transformed into…
Style:
Brass
Composer:
David R. Gillingham
Publisher:
C. Alan Publications
Originally scored for tuba-euphonium quartet, Appalachian Counterpoint has been adapted for 4-part flexible wind band, playable by any combination of instruments in the ensemble. It is based on a traditional Appalachian folk song originally set as a a lovely…
Style:
Flex Band
Composer:
David R. Gillingham
Publisher:
C. Alan Publications
Aria, as the title suggests, is a beautiful melodic feature for alto sax. In addition to the haunting tune, Rick Lawn has fashioned subtle supportive ensemble figures that weave a rich fabric of accompaniment and include flugelhorns and cup mutes in the…
Style:
Jazz Ensemble
Composer:
Rick Lawn
Publisher:
Baker's Jazz And More
Originally written for organ, Emma Lou Diemer's thoughtful and expressive Aria adapts perfectly for 4-part flex band. Whether performing with 4 players or a full wind ensemble, the long, cantabile melodic lines give opportunity for rubato.Program…
Style:
Flex Band
Composer:
Emma Lou Diemer
Publisher:
C. Alan Publications